Autumn Ahn (b.1986 USA) lives and works from the mountains in Western Massachusetts. Ahn’s artistic practice circulates drawing, sculpture, installation, and activation to consider the responsive conditions that shape reality in human experience. Her work builds upon her investigations around genealogies of form, meaning, necessity, and embodiment across art histories of abstraction, avant-garde action, consciousness, and the notion of landscape that question the stability of knowledge and human perception. Originally trained in painting, Ahn works instinctively with line, ink, paper, color, and space, foregrounding form, surface, and image as sites to engage with the environment and the transcendent possibilites of material life. Recent exhibitions and performances include: ‘line: edge self horizon’ with the estate of Gordon Matta-Clark at Fall River MoCA (2026); ‘no sun’ at Anthony Greaney Gallery, Boston (2025); ‘Trees never end and Houses never end’ at Sky High Farm Biennial, NY (2025). ***
Ahn holds an MFA from the School of the Art Institute of Chicago, and a BFA from Boston University and Scuola Internazionale di Grafica. She is the recipient of grants from the Artist Resource Trust, Foundation for Contemporary Arts, Puffin Foundation, and the College Art Association.She has been in residence at Cittadellarte Pistoletto Foundation, Headlands Center for the Arts, lower_cavity, the Studios at MassMoCA, and many informal community projects. Ahn was a visiting fellow in Philosophy at Harvard University and a visiting artist at Bard College. She has presented workshops at Aalto University, Helsinki, and École Normale Supérieure, Paris. She has conducted research between the Yerkes Observatory and the University of Chicago. Her work has been exhibited widely, including the 15th Istanbul Biennial, Istanbul;Le Magasin – Centre National d’Art Contemporain (CNAC), Grenoble; Selebe Yoon Gallery, Dakar; Cinema Tonalá, Bogotá; False Flag Gallery, New York; Anthony Greaney Gallery, Boston; The Chimney, New York; AIDS Action Committee; among others. Her work has been featured by ARTE (FR/DE), the Emergency Index, and Boston Art Review.
b.1986 (Philadelphia) Lives and works in Western MA, USA
Education 2021-2023 School of the Art Institute of Chicago, MFA
2004-2008 Boston University, College of Fine Arts, BFA
Scuola Internazionale di Grafica, Venice, IT
Scuola Abate Zanetti, Glass School, Murano, IT
Selected Solo Exhibitions 2026 line: edge self horizon, site-specific performance-lectures with estate of Gordon Matta-Clark
2025 no sun, Anthony Greaney Gallery, Boston, MA
2024 on the genealogy of forms, lower cavity, Holyoke, MA
2019 surfaces, Howard Yezerski Gallery, Boston, MA
2017 a tall action is not a height, The Chimney, Brooklyn, NY
Selected Group Exhibitions
2025 Trees Never End and Houses Never End, Sky High Farm Biennial, Germantown, NY
2025 The Summit Show, Mundus Press, Holyoke, MA
2024 Convocatoria, Salon Acmé, CDMX, Mexico
2022 Like a child or I go on the playground swings when no one’s around or giggle is such an embodied word (For Eloise Greenfield), NADA
2021 Boomshakalaka, False Flag Gallery, NYC, NY
2021 Mots de neige, Histoires en sable, Selebe Yoon Gallery, Dakar, Senegal
2017 CASTLEDRONE CORRAL, Boston City Hall, Government Center, MA
2017 Space Debris & Exhibist Magazine for 15th Istanbul Biennial, a good neighbor, Surp Yerrotutyun Ereni Kilisesi, Istanbul, TR
2016 The Host, Cinema Tonalá, Feria Internacional de Arte de Bogotá, CO
2015 Take You There Radio, Streaming Radio Intervention, Centre National d'Art Contemporain, Grenoble, FR
2013 SEVEN, Montserrat Art Galleries, Boston, MA
Teaching
2026 Clark MFA/MassMoCA
2023-2024 Department of Visual Arts, Bard College
Awards, Residencies, Special Projects
2026 Foundation for Contemporary Art, Emergency Grant
Artist Resource Trust, Berkshire Taconic Community Foundation
2025 CAA Professional Development Award for Visual Art
Cittadellarte Pistolletto Foundation, Residency
Martha Boschen Porter Fund
Documentation as Poetic-Witness, Belding Memorial Library, Association for Rural & Small Libraries
2024 Massachusetts Cultural Council Grants for Creative Individuals
Puffin Foundation Grant
lower_cavity, Residency
2023
Municipal Art League Fellowship, School of the Art Institute of Chicago
Vermont Carving Studio & Sculpture Center, New Roads Full Scholarship
George, Memorial Exhibition for New Media Curator & Art Historian, George Fifield, Boston Cyberarts Gallery, Co-Curator
2022 Headlands Center for the Arts, Residency
Documentation as Poetic-Witness, Performance Philosophy Conference, Aalto University
2021
New Artists Society Award, School of the Art Institute of Chicago, Full Tuition Merit Scholarship
2019
Wesleyan University, ICPP mini-intensive
Createwell Artist Grant
Documentation as Poetic-Witness, Department of Philosophy, Harvard University
Documentation as Poetic-Witness, Institut Jean Nicod, École Normale Superieure
2018
Harvard University Department of Philosophy, Visiting Fellow
The Studios at MassMoCA, Residency
Evidence of a Signal, Crowley Theater, Marfa, TX
2017 Allen Ginsberg first edition tribute book, ‘AH Allen’, 55 eds. 45 Artists from Beat Generation, Archivist
2016 Louise Bourgeois Documentary, Robert Coen & Jean-Louis Bourgeois, Researcher/Assistant Galerie Ofr., 20th Anniversary Salon Exhibition, Paris, FR
2015 ICA Boston, John Cage’s ‘Theater Piece No.1’, Black Mountain College Exhibition
Latent Lavender, Ryan Lee Gallery, Special Projects, NYC
2014
Voy(age)ur, STREAM Gallery, Brooklyn, NYC Untitled (Chamber), AIDS ACTION COMMITTEE & Alter Projects, Miami, FL
2013
KSAT, Maison du Portugal, Paris, FR
2011 Chain Letter Show, Sampson Projects, Boston, MA
2008
Pilchuck Glass School, Einar & Jamex de la Torres