autumn ahn
artworks
exhibitions
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info
horizon series / armatures
the significance of primary and responsive structures that produce reality in the lived experience. in dialogue with eastern and western histories of landscape painting
transnational histories of the avant-garde
ink drawings:
histories of landscape painting, image production and production of form, the stability of form as it enters the socio-economic world (through dream ), the migrations.
metal armature for the drawings:
-production of ‘screens’
windows
activation
ancestral intrior
two origin stories
deeply connected to histories of liberation and painting
pastiche
the energy of exploration
of reconnection
lack of concrete or tangible history / form
am drawn to those who have a more concrete material relationship to the identity.
the fleetingness of identity, structure, material
the legacy of self-construction
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halloween as the ultimate
like to look at post-conceptual work, traditional paintings
cinema, writing, walking experiencing with the body, ritual/ monastic rituals throughout the day, distant histories